Don’t miss this exclusive event: join us on Sunday, April 16th at 11:00 AM at Teatro Basilica in Rome, located at Piazza San Giovanni in Laterano 10, for a special preview of Tony Carnevale’s new unreleased work for Soundtrack Records. This unique project, wholly composed by the author, will be released on vinyl with a complimentary CD included in the package to meet all listening preferences In addition to various orchestral pieces, it features a solo piano sonata and a tribute to Francesco Di Giacomo and Rodolfo Maltese from Banco: a symphonic version of their iconic track “La vita che grida,” arranged as a mini-suite for solo cello, piano, orchestra, and band. This is a rare opportunity to experience music differently, more emotionally. Several special guests, directly and indirectly connected to the author and his work, will attend.
Inspired by the experience of the 1970s, when fans would line up to buy a new vinyl record and gather at someone’s home with the best stereo to “listen together,” this event seeks to recreate that communal listening experience. This “listening together” concept, a key influence on the author, was integral to the foundation of the Laboratori di Musica Originale, which SIAE and IMAIE have supported for 23 years
Inspired by the experience of the 1970s, when fans would line up to buy a new vinyl record and gather at someone’s home with the best stereo to “listen together,” this event seeks to recreate that communal listening experience. This “listening together” concept, a key influence on the author, was integral to the foundation of the Laboratori di Musica Originale, which SIAE and IMAIE have supported for 23 years This experience of “listening together” has been a foundational aspect for the author, inspiring him to develop one of the core principles of the Laboratori di Musica Originale—an initiative that has earned the prestigious patronage of SIAE and the support of IMAIE.
He has been directing this program for the past twenty-three years. This concept also aligns with a music philosophy centered on deep listening, especially in a time when the visual tends to dominate, with performance often taking precedence over the true essence of sound. Too frequently, audiences attend concerts to “watch” rather than to “listen” in the most profound sense of the term.
We want to listen, together with the author, make him tell us the meaning of his work, personal and emotional experience, memories, anecdotes, and the truth about the sounds he chose to establish an emotional relationship with other human beings.